Trevor producing his music at Audio International in the 80s

Trevor composed recorded and produced music for the BBC in the 70s.

345 of his compositions on 23 albums in the Trevor Lyttleton series are released on major streaming services TV and music platforms worldwide.

Search “Trevor Lyttleton” to hear Trevor’s music on streaming services and online.

https://lightmusic.webfax.org.uk

Grammy Nomination (1980)

Although not the first lawyer with music in a Broadway show (Cole Porter and Arthur Schwartz and A P Herbert got there first!) Trevor was the first English Solicitor to do so.

In 1980 Trevor shared a GRAMMY nomination for music in the Broadway hit musical ‘A DAY IN HOLLYWOOD/A NIGHT IN THE UKRAINE’ with Frank Lazarus and ‘Hello Dolly’ composer Jerry Herman

I Love a Film Cliché from Broadway hit A Day in Hollywood/A Night in Ukraine

Music: Trevor Lyttleton Lyrics: Dick Vosburgh © Light Music Limited 1974

Dick Vosburgh’s brilliant demo in one take in a few of his many voices

Trevor composed recorded and produced music for the BBC in the 70s.

345 of his compositions on 23 albums in the Trevor Lyttleton series are released on major streaming services TV and music platforms worldwide.

See and hear his music repertoire

https://lightmusic.webfax.org.uk

Grammy Nomination (1980)

Although not the first lawyer with music in a Broadway show (Cole Porter and Arthur Schwartz and A P Herbert got there first!) Trevor was the first English Solicitor to do so.

In 1980 Trevor shared a GRAMMY nomination for music in the Broadway hit musical ‘A DAY IN HOLLYWOOD/A NIGHT IN THE UKRAINE’ with Frank Lazarus and ‘Hello Dolly’ composer Jerry Herman

I Love a Film Cliché from Broadway hit ADay in Hollywood/ANight in Ukraine

I Love a Film Cliché from Broadway hit ADay in Hollywood/ANight in Ukraine

Music: Trevor Lyttleton Lyrics: Dick Vosburgh© Light Music Limited 1974

Trevor producing his music at Audio International in the 80s

Dick Vosburgh’s brilliant recording in one take in a few of his many voices

Susannah McCorkle

We celebrated the Broadway opening night of A Day in Hollywood/ A Night in the Ukraine at Sardi’s on receiving Grammy nominations, 6 Tony nominations, and, true to form (on the principle that ‘where there’s a hit there’s a writ’) a lawsuit from the Marx Brothers’ Estate seeking an injunction claiming infringement of their rights to the likeness of Groucho Chico and Harpo Marx. This prompted Dick Vosburgh to declare: “In 10 years time they’ll say: ‘It was a wonderful lawsuit. What was the show?’”

Sure enough the lawsuit (handled by US lawyers) outlasted the show that ran on Broadway for two and a half years.

The Marx Brothers Estate filed its tenuous claim in New York, based on a Los Angeles case where the heirs of Bela Lugosi – the star of Dracula films – claimed the sole rights to perform as Dracula. The Judge rejected this, ruling there was no right to the likeness of a fictitious character like Dracula. However in an obiter dictum (a non-binding remark), he suggested there might be a claim if it were a real person like Groucho Marx.

Our Counsel won the case on appeal pleading the Freedom of Speech First Amendment defence and that, if we lost it would mean:

  • The end of Vaudeville, as all impersonators, like Sammy Davis Jr., Rich Little, Rory Bremner etc, would have to pay royalties to Frank Sinatra or other originators.
  • The heirs of Abraham Lincoln could sue on every penny in circulation with his head on it and every deposit at the Lincoln Savings Bank.

The Marx Bros Estate’s defeat left vaudeville and mimics intact for our continued enjoyment.

I’m not sure what was more entertaining the show or the lawsuit!

I first visited South Korea in November 1985 and had the pleasure, at the invitation of Director Kim Kang Seop, of conducting the Korean Broadcasting Orchestra in a performance of two of my works liveon TV on theSaturday Night.
“100 Minutes Show”

In 1987 I was one of the first Western Composers to conclude a record deal with China Records in Beijing that brought my music themes to a huge audience in China.

Korea & China Copyright – Read More

Following the release in Japan of my album ‘MARIPOSA’ on the Polydor label in 1985, the title song ‘MARIPOSA’ became a regular TV theme in Japan.

PLAY MARIPOSA by Trevor Lyttleton

In June 2025 to boost spirits in challenging times I released on streaming services a new album compilation of favorite titles.